Dexter is disappointed when he ends up at an Amish farm instead of a high-tech farm for summer camp. His attempts to modernize the Amish family do not go well.
When Dexter tries to inject himself into an ill Dee Dee to find a cure to the common cold, he accidentally ends up inside his dog, believing that Dee Dee is infected with a dog virus.
After Dee Dee declares that she can beat Dexter in any game, Dexter challenges her to a series of games in his lab, though he prefers to win by cheating.
Dexter has a crush on his teenage babysitter Lisa (Kath Soucie). When he finds out that she has a boyfriend, he sabotages their relationship and accelerates his age by ten years in an attempt to win her heart.
Created and narrated by a six-and-a-half-year-old boy named Tyler Samuel Lee, who sent a tape containing the episode’s audio to Cartoon Network,[9] the story follows Dexter and Mandark’s robot “brother” Computress teaming up to make Mandark’s head shrink.
With only one television in their apartment, Major Glory, Krunk, and Valhallen disagree on what to watch: Major Glory’s televised capture of the Disgruntled Postman, TV Puppet Pals, or the monster truck pull.
Dexter reluctantly takes piano lessons from Professor Williams (Paul Williams), but when the Professor stumbles onto Dexter’s lab, he discovers that Dexter has more musical talent than he thought.
Dexter and Dee Dee enter tryouts to become Major Glory’s sidekick. When Dee Dee wins, Dexter realizes that fancy costumes are not the only criterion to become a superhero.
After watching an Action Hank movie on television, Dexter grows a synthetic beard to try to be cool, but the police mistake him for Action Hank himself.
Monkey’s birthday party is interrupted by Barbequor (Robert Ridgely), an intergalactic villain who plans to eat the planets, and his sidekick, the Silver Spooner (Rob Paulsen).
Since his studying is interrupting his favorite TV shows, Dexter creates a helmet to absorb the shows directly. However, the plan backfires when he randomly snaps into television-based outrages.